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aaronpk_tv
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Portland, Oregon • Mon, May 7, 2018 7:18amWrite the Docs setup
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Great post but I think you sell short how much organizing the #indieweb community has done over the last 7-10 years.
Getting to this point to massive organization from committed enthusiasts.
What we need is not more organization but more organizers.
It is not up to the #indieweb community to grow the movement, that is your job, my, job and then it belongs to those we onboard.
Organize a HomeBrew Web club in your town. Convince a small business they need a website and not just a facebook page. Make a series of instructional videos to pass around your circles. -
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Portland, Oregon • Sun, May 6, 2018 8:06pmSetting up for Write the Docs
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Finally made it as a guest to Düsseldorf's @indiewebcamp at @sipgateDE, getting to meet old and new friends. #btconf
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Vincent Pickering
https://vincentp.me
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May 5
@aaronpk http://Webmention.io noob question. Is there anything bad someone could do with my access token? As in, should I be storing this outside my repo code?
All it does is allow read access to your mentions, so if you don't mind that being public it's fine to make the key public. -
I'd be happy to add a toggle to disable both kinds of backfeed. I think I will keep them enabled by default for now though.
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1920's string sound - Orchestration - Composition - Instruments - FORUMS - Vienna Symphonic Library (www.vsl.co.at)"That would be the hot impassioned string sound.
Use of mid and upper ranged orchestration, chordal, octave based, no open voicings. Strings doubling with double-reeds. Timpani and piatti and cymbal swells. Woodblock at times. Triangle. Trumpets with Trombones. Horns with violas and never joined in with trumpets and trombones. Tuba.
Emphasis on melody and counterpoint. Variation of melody. Rarely a non-melodic bar. The use of musical techniques that were tried and true to create contrast, not orchestration so much. For example, moving from legato espressivo to staccato/spiccato.
The absolute fundamental key to the Golden Age sound is the use of trumpets in cardboard or fiberglass conical mutes, as well as unmuted, and using the horns only for melody or as texture joined with strings and/or woodwinds, BUT NOT the other brass.
Second most important is the use of Violas to double the 2nd violins, either in a 3rd octave, or in a tightly locked upper string harmonization that is not open.
Evan Evans" -
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Don't worry, there's another one just around the corner.
