Aaron Parecki

Day 74. I started with the piano and layered stuff over it until I felt "done". There's a 4-part choir, a solo violin, and 6 french horns. The video is me recording the piano track, I liked that the two parts overlapped but never actually hit any of the same notes.

Day 73. The piano track here goes a 1/4 step in and out of tune very slowly throughout the song. I wanted to try out a new instrument today, and I found the Dilruba, an Indian stringed instrument, which has some nice articulations in the samples.

Day 72. Enjoy a pile of poop emoji made out of music notes. 💩 Inspired by Andrew Huang's GLORIOUS MIDI UNICORN, I thought I would give this MIDI art thing a try. If you're listening to this in the podcast feed, it might make more sense if you watch the video instead ;-)

Day 71. A quick sketch of a triumphant fanfare. Could probably use some more filling out in the lower end of the spectrum, but I'm trying to finish these quicker lately!

Day 70. This didn't quite come out the way I wanted, I think all the chord hits might need more filling out with additional instruments. I had fun piecing together video effects to go along with the music though!

Day 69. Today's song is basically in no time signature, and features the electric cello again. It's a simple theme that I developed by flipping the notes and playing through it in a few different chords. There's a faint harp sound that helps provide context, and there's a soft droning soundscape under everything.

Day 67. I'm not super thrilled with this, but I have a bunch of other things I need to do today so I need to be finished. I like the opening bit with the filter that opens up for 2 bars, but I was having a hard time figuring out what else to do with this today.

Day 66. Tried two new things today. First time attempting something in the "electro swing" style. I have a long ways to go to even approach sounding like Parov Stelar though. I also learned how to make the sweep sound that is in a bunch of this as well as other style music. The sweep sound is a white noise generator run through a filter whose cutoff frequency changing creates the sweep effect.

Day 65. I decided to keep it simple with this one, only adding the little chimes on top of the piano and no other instruments. I used a strong wet reverb effect on the piano to give it a "distant" feeling.

Day 64. There was a brief moment of sun today, so I took the opportunity to go on a bike ride up and down the esplanade! This song has nothing to do with the ride, though. This song started with the bells you hear at the beginning, and I built it up from there. I actually wasn't planning on adding the drums and synth sound until I got half way through building up the strings, but I thought it would be an interesting way of quickly escalating it.

Day 63. Got a late start on this again today. I was going for another super short "audio logo" style thing today. I made a totally different style video to accompany this to hint at the kind of thing I imagine this would be used for. Also had fun finding a few string samples like some major scale runs to use at the end.

Day 62. I spent most of the day on other projects, so wanted to do a simple song today. The video is my other project I worked on! I ran all the tubing for the pumps for BarBot today, and got to try out pouring a drink!

Day 61. I wanted to try writing something really short that was still a distinctive sound that makes you feel like you're in a new place. I got the idea from watching White Collar, where they have about 6 seconds of music at the beginning of the episode, just enough to set the stage without being a "theme song". This music isn't really anything like the White Collar music, but it's the same idea. I found a few timelapse video clips of cities that I thought felt appropriate for the music.

Day 60. Did not have a goal in mind with this one. Decided to experiment with some of the new sounds I downloaded in the East/West "Goliath" pack. The piano in this is a new sound as well, much softer and more ethereal than the pianos I've been using before, I think I'll try it again in the future.

Day 59. This song was my mom's choice of instrumentation and style, Scottish Highlands with whistle, Bodhran drum, fiddle, and others. I listened to a few songs in this style to get a sense of the rhythm and structure, then tried to create something similar. Aside from the obvious bagpipe drone providing the underlying structure, I noticed the harmonies tended to resolve back to the dominant chord during the last bar rather than in the next phrase. For songs in a minor key, they typically use a minor scale with a major 6th. I also noticed that the 2nd note of the scale is rarely used, usually only during runs, but often the phrases jump from the 3rd to 1st. This was a fun chance to explore a very different style!

Day 58. It's a 1940s video of cats, but the music is scored like a dramatic scene from a TV show. This one probably won't make sense without the video, so if you're listening to this in podcast form, go check out my website where you can see the video version. The video here is straight out of a 1947 video called "The Private Life of a Cat", and I wanted to experiment with scoring the video without changing the video at all. The instrumentation and structure are loosely based off of the music from a short scene of a Star Trek episode.

Day 57. This is an experiment in holding a droning tone throughout the whole song, while also having some other harmonies.

Day 56. For today's song, my dad chose the instrumentation and style, and I had to see what I could come up with. He gave me "horns" and "concerto". So I started by studying the structure of concertos. A concerto typically features a single instrument soloist, with an orchestra or piano backing it up. They typically start out with an "exposition" from the instruments other than the featured instrument, introducing the theme. Then the second exposition features the soloist introducing the theme again. This is followed by a "development" section, featuring the soloist, usually in a different key, which ends by building up on the maj7th chord to a coda section which repeats the original theme in the tonic. My challenge was to fit all this in under a minute, so I basically have one phrase per section. I started by using the motif from Day 3 and building everything up around that. The very last phrase is basically the Day 3 song at the end.