I don’t think so… why add the switcher when you can just record in camera, if you’re not already going to switch? Plus, unless you edit in Resolve, you can’t use the EDL from the ATEM. If you go live then it’s great, even better if you use BMPCC cams and can swap in 4K originals
Can't you convert a Resolve project to FCPX or Premiere?
I think it depends on your production workflow. Personally I shoot A-roll and B-roll separately so I wouldn't use the ISO model in a studio setting.
-FHD 240fps, 4k120fps 10bit 4:2:2 and 4K120fps raw over HDMI
-ONLY Up to 4k60 will be 10bit 4:2:2 internal
-new kind of passive (noise free) cooling system
-no overheating, no recording time limits
-fully articulating screen like the Sony ZV-1
The fact that Amazon seemingly at random decides if my returns should be dropped off at UPS or Kohls (UPS preferred) with the other costing a % of my refund if I wish to choose the other is UTTER bullshit.
The last thing I want to do during a pandemic is walk in a Kohls to return
For me it correlates with whether I choose a return reason that is "my fault" or not.