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Aaron Parecki

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  • Roberto Blake 🇺🇸🇵🇦🗽Creative Entrepreneur https://twitter.com/robertoblake   •   Jan 13
    The real challenge has honestly been finding artist and also sourcing stock images that match the aesthetic and vibe I want to create in the space.

    But between the music and art once they resources are commissioned the rest of it is wildly practical.

    Or will be when monetized.
    Aaron Parecki
    Are you ever worried about artists reusing clips and triggering copyright claims? I had a copyright claim on a YouTube video because an artist published nearly identical songs to two stock music websites and ContentID found it.
    Portland, Oregon • 47°F
    Wed, Jan 12, 2022 7:46pm -08:00
    1 like 2 replies
    • Roberto Blake 🇺🇸🇵🇦🗽Creative Entrepreneur
    • Aaron Parecki twitter.com/aaronpk
      Alright yep that just about covers it! Five years ago I was writing a song sketch every day for 100 days in a row, and I've always been meaning to expand those into full length songs, but that's clearly not happening this year.
      Thu, Jan 13, 2022 3:55am +00:00 (via brid.gy)
    • Roberto Blake 🇺🇸🇵🇦🗽Creative Entrepreneur twitter.com/robertoblake
      No, because I am registering them through DistroKid to make sure that I own the rights and have the ContentID in my registry instead of anyone else's, and I've connected my DK account to my YouTube Music Account.
      Thu, Jan 13, 2022 3:49am +00:00 (via brid.gy)
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Hi, I'm Aaron Parecki, Director of Identity Standards at Okta, and co-founder of IndieWebCamp. I maintain oauth.net, write and consult about OAuth, and participate in the OAuth Working Group at the IETF. I also help people learn about video production and livestreaming. (detailed bio)

I've been tracking my location since 2008 and I wrote 100 songs in 100 days. I've spoken at conferences around the world about owning your data, OAuth, quantified self, and explained why R is a vowel. Read more.

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