Yeah that seems like a pretty great workflow • Aaron Parecki

Roberto Blake 🇺🇸🇵🇦🗽Creative Entrepreneur https://twitter.com/robertoblake • Jan 13
Yep and my formula of making "mixtapes" of my library of assets and also releasing the solos, 1 hour loops of those solos, 60 sec short versions, and then also making 1 hour versions of mixtapes and 10 hour versions, its wildly practical, plus a 24/7 radio live stream video.

Yeah that seems like a pretty great workflow

Portland, Oregon • 47°F

Wed, Jan 12, 2022 7:43pm -08:00

1 like 4 replies
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- Aaron Parecki twitter.com/aaronpk
  
  Alright yep that just about covers it! Five years ago I was writing a song sketch every day for 100 days in a row, and I've always been meaning to expand those into full length songs, but that's clearly not happening this year.
  
  Thu, Jan 13, 2022 3:55am +00:00 (via brid.gy)
- Roberto Blake 🇺🇸🇵🇦🗽Creative Entrepreneur twitter.com/robertoblake
  
  No, because I am registering them through DistroKid to make sure that I own the rights and have the ContentID in my registry instead of anyone else's, and I've connected my DK account to my YouTube Music Account.
  
  Thu, Jan 13, 2022 3:49am +00:00 (via brid.gy)
- Aaron Parecki twitter.com/aaronpk
  
  Are you ever worried about artists reusing clips and triggering copyright claims? I had a copyright claim on a YouTube video because an artist published nearly identical songs to two stock music websites and ContentID found it.
  
  Thu, Jan 13, 2022 3:46am +00:00 (via brid.gy)
- Roberto Blake 🇺🇸🇵🇦🗽Creative Entrepreneur twitter.com/robertoblake
  
  The real challenge has honestly been finding artist and also sourcing stock images that match the aesthetic and vibe I want to create in the space. But between the music and art once they resources are commissioned the rest of it is wildly practical. Or will be when monetized.
  
  Thu, Jan 13, 2022 3:44am +00:00 (via brid.gy)

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